Frozen style and strong emotions of panic and separation: Trier's prologues to Antichrist and Melancholia
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Frozen style and strong emotions of panic and separation : Trier's prologues to Antichrist and Melancholia. / Grodal, Torben Kragh.
In: Journal of Scandinavian Cinema, Vol. 2, No. 1, 2012, p. 47-53.Research output: Contribution to journal › Journal article › Research › peer-review
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TY - JOUR
T1 - Frozen style and strong emotions of panic and separation
T2 - Trier's prologues to Antichrist and Melancholia
AU - Grodal, Torben Kragh
PY - 2012
Y1 - 2012
N2 - The article analyses the aesthetics of two Trier prologues using cognitive psychology. It focuses on how the films evoke anxiety and panic, and how the panic is contained by means of providing visual and musical aesthetic order to the dynamic emotional forces; by providing ambiguous reality indicatiors; and by cueing sublime submission to fate
AB - The article analyses the aesthetics of two Trier prologues using cognitive psychology. It focuses on how the films evoke anxiety and panic, and how the panic is contained by means of providing visual and musical aesthetic order to the dynamic emotional forces; by providing ambiguous reality indicatiors; and by cueing sublime submission to fate
KW - Faculty of Humanities
KW - Lars von Trier
KW - film aesthetics
KW - cognitive film theory
KW - anxiety
U2 - 10.1386/jsca.2.1.47_1
DO - 10.1386/jsca.2.1.47_1
M3 - Journal article
VL - 2
SP - 47
EP - 53
JO - Journal of Scandinavian Cinema
JF - Journal of Scandinavian Cinema
SN - 2042-7891
IS - 1
ER -
ID: 37814666