PANG! Om Didi-Hubermans pan-begreb fra bebudelse til korsfæstelse
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Pan is Didi-Huberman’s concept for the spot where or moment when the materiality of the painting makes itself present in a way that draws away attention from what the painting represents. This article examines the concept of pan, as Didi-Huberman defines it in the appendix to Devant l'image, but also based on the analyzes he presents in the book's first and last chapters of an annunciation and a crucifixion image, respectively. I will argue that pan can be a lack of figure or an excess of matter, and that these two variants (or accent shifts) can be linked art-historically to the motifs of the annunciation and the crucifixion respectively, both of which are decisive scenes in the central evangelical event: the Incarnation, which for Didi-Huberman is also a concept for the materialization that the painting performs. Finally, the article points to instances of pan in paintings by Anna Ancher.
Originalsprog | Dansk |
---|---|
Artikelnummer | 4 |
Bogserie | Passepartout |
Vol/bind | 43 |
Sider (fra-til) | 75-94 |
Antal sider | 19 |
ISSN | 0908-5351 |
Status | Udgivet - 2023 |
- Det Humanistiske Fakultet - Georges Didi-Huberman, Pan, Anna Ancher, inkarnation, materialitet
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- https://tidsskrift.dk/passepartout/article/view/141818
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