Documentary, Culture and the Mind
Publikation: Bog/antologi/afhandling/rapport › Bog › fagfællebedømt
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Documentary, Culture and the Mind. / Bondebjerg, Ib.
Saxo Publish, 2020. 192 s.Publikation: Bog/antologi/afhandling/rapport › Bog › fagfællebedømt
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TY - BOOK
T1 - Documentary, Culture and the Mind
AU - Bondebjerg, Ib
PY - 2020/7/15
Y1 - 2020/7/15
N2 - This book presents articles on the different documentary genres from a cognitive theoretical point of view, but it also analyses case studies in American andEuropean documentary film and television on issues like history, war and climatechange. The book presents some of my most important articles on documentary film and television between 1994-2020. During this period I developed a theory of documentary genres inspired by cognitive theory, a theory that puts the basic narrative, emotional, and cognitive dimensions of media production and media use in focus. However, even though a basic, theoretical dimension runs through all the articles defining the main genres of documentary and the way audiences relate toand interact with this, they also try to illustrate how documentary genres interact with history, society and culture, and how they speak to and influence our individual mind and the collective public debate. Documentary is a very central genre in our highly mediated and global world: the stories they tell, can potentially create mediated cultural encounters between people belonging to different societies and culture. The case studies presented deal with our historical past and heritage, with the global climate change and with war and social crisis. Cognitive theory stresses theuniversality of humans, across social and cultural differences. However, the human and documentary diversity is just as important.
AB - This book presents articles on the different documentary genres from a cognitive theoretical point of view, but it also analyses case studies in American andEuropean documentary film and television on issues like history, war and climatechange. The book presents some of my most important articles on documentary film and television between 1994-2020. During this period I developed a theory of documentary genres inspired by cognitive theory, a theory that puts the basic narrative, emotional, and cognitive dimensions of media production and media use in focus. However, even though a basic, theoretical dimension runs through all the articles defining the main genres of documentary and the way audiences relate toand interact with this, they also try to illustrate how documentary genres interact with history, society and culture, and how they speak to and influence our individual mind and the collective public debate. Documentary is a very central genre in our highly mediated and global world: the stories they tell, can potentially create mediated cultural encounters between people belonging to different societies and culture. The case studies presented deal with our historical past and heritage, with the global climate change and with war and social crisis. Cognitive theory stresses theuniversality of humans, across social and cultural differences. However, the human and documentary diversity is just as important.
KW - Faculty of Humanities
KW - documentary theory
KW - Cognition
KW - Film theory, evolution, visual aesthetics, cultural theory, narrative theory, film emotions, genre theory
KW - Documentary
KW - Cognitve theory
KW - Documentary genres
KW - War
KW - History
KW - Climate change
UR - https://www.saxo.com/dk/documentary-culture-and-the-mind_epub_9788740402896
M3 - Book
SN - 9788740409918
BT - Documentary, Culture and the Mind
PB - Saxo Publish
ER -
ID: 244651824