På tærsklen til renæssancens teater: En læsning af Ludovico Ariostos komedieprologer
Publikation: Bidrag til bog/antologi/rapport › Bidrag til bog/antologi › Forskning
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På tærsklen til renæssancens teater : En læsning af Ludovico Ariostos komedieprologer. / Petersen, Lene Waage.
ALBVM AMICORVM: Festskrift til Karsten Friis-Jensen i anledning af hans 60 års fødselsdag / Studies in Honour of Karsten Friis-Jensen on the Occasion of his Sixtieth Birthday. red. / Pade Marianne. København : Forum for Renæssancestudier, 2007. s. 1-20 (Renæssanceforum; Nr. 2007:3).Publikation: Bidrag til bog/antologi/rapport › Bidrag til bog/antologi › Forskning
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TY - CHAP
T1 - På tærsklen til renæssancens teater
T2 - En læsning af Ludovico Ariostos komedieprologer
AU - Petersen, Lene Waage
N1 - Peer reviewed, site http://renaessanceforum.dk/3_2007/
PY - 2007
Y1 - 2007
N2 - At the Threshold of Renaissance Comedy: This essay presents four of Ludovico Ariosto's prologues translated into Danish for the first time: the prologues to the prose versions of La Cassaria (1508) and I Suppositi (1509), the first prologue to La Lena (1528) and the second Prologue to Il Negromante (1528). Situating the prologues in their context of Court life in Ferrara and the rising interest in scenography which followed Alberti's interpretations of Vitruvius, the essay discusses the main themes of the prologues, the references to scenography and the relationship between play and spectator, focussing also on the problems of a new comic language in the vernacular and its relations to Ariosto's ideals of a literary 'volgare', based on the ideas of Bembo.
AB - At the Threshold of Renaissance Comedy: This essay presents four of Ludovico Ariosto's prologues translated into Danish for the first time: the prologues to the prose versions of La Cassaria (1508) and I Suppositi (1509), the first prologue to La Lena (1528) and the second Prologue to Il Negromante (1528). Situating the prologues in their context of Court life in Ferrara and the rising interest in scenography which followed Alberti's interpretations of Vitruvius, the essay discusses the main themes of the prologues, the references to scenography and the relationship between play and spectator, focussing also on the problems of a new comic language in the vernacular and its relations to Ariosto's ideals of a literary 'volgare', based on the ideas of Bembo.
KW - Det Humanistiske Fakultet
KW - Ariosto
KW - renæssancekomedier
KW - prolog
M3 - Bidrag til bog/antologi
T3 - Renæssanceforum
SP - 1
EP - 20
BT - ALBVM AMICORVM
A2 - Marianne, Pade
PB - Forum for Renæssancestudier
CY - København
ER -
ID: 6224433