Harlequin, Holberg and the (in)visible masks: Commedia dell'arte in Eighteenth-Century Denmark
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Harlequin, Holberg and the (in)visible masks : Commedia dell'arte in Eighteenth-Century Denmark. / Holm, Bent.
I: Theatre Research International, Bind 23, Nr. 2, 1998, s. 159-166.Publikation: Bidrag til tidsskrift › Tidsskriftartikel › Forskning › fagfællebedømt
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TY - JOUR
T1 - Harlequin, Holberg and the (in)visible masks
T2 - Commedia dell'arte in Eighteenth-Century Denmark
AU - Holm, Bent
PY - 1998
Y1 - 1998
N2 - A reading of Holberg's harquinades "Ulysses Von Itacia" and "The Invisibles" placed in a context of European grotesque theatre with a specific regard to the texts relation to respectively older and newer French-Italian masque theatre. The analysis suggeststhat the first text is in perfect accordance with the models and the second contains parodic elements in comparison to the inspiration source. These circumstances are seen as expressions of the author's basic ideas about life and theatre.
AB - A reading of Holberg's harquinades "Ulysses Von Itacia" and "The Invisibles" placed in a context of European grotesque theatre with a specific regard to the texts relation to respectively older and newer French-Italian masque theatre. The analysis suggeststhat the first text is in perfect accordance with the models and the second contains parodic elements in comparison to the inspiration source. These circumstances are seen as expressions of the author's basic ideas about life and theatre.
KW - Faculty of Humanities
KW - Holberg
KW - Teaterhistorie
KW - Commedia dell'arte
KW - Harlekin
KW - Holberg
KW - theatre history
KW - commedia dell'arte
KW - Harlequin
M3 - Journal article
VL - 23
SP - 159
EP - 166
JO - Theatre Research International
JF - Theatre Research International
SN - 0307-8833
IS - 2
ER -
ID: 37947102