Dyggve's 'Adrio-Byzantine' capitals and the sacred space
Research output: Chapter in Book/Report/Conference proceeding › Article in proceedings › Research › peer-review
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Dyggve's 'Adrio-Byzantine' capitals and the sacred space. / Fleischer, Jens.
Ejnar Dyggve: Creating Crossroads: International conference organized by The Institute of Art History – Cvito Fisković Centre, Split in collaboration with the Department of Arts and Cultural Studies (IKK), University of Copenhagen. ed. / Slavko Kacunko; Josko Belamaric. Zagreb : Institute of Art History Croatia (IPU), 2014. p. 48-51.Research output: Chapter in Book/Report/Conference proceeding › Article in proceedings › Research › peer-review
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TY - GEN
T1 - Dyggve's 'Adrio-Byzantine' capitals and the sacred space
AU - Fleischer, Jens
N1 - Er kun tilgængelig som netpublikation på ovennævnte adresse
PY - 2014
Y1 - 2014
N2 - Ejnar Dyggve in his 1933 Eigentümlichkeiten und Ursprung der frühmittelaterlichen Architektur in Dalmatien gives a sketchy, yet comprehensive picture of his archaeological research in Salona. According to Dyggve, early medieval architecture in Dalmatia was characterized by oddities (Eigentümlichkeiten) and its origin (Ursprung). After about 300, Oriental and Syrian styles took a firm hold in early Dalmatian architecture. Simultaneously, a Late Antique “Byzantine” art was present, which gives rise to Dyggve’s concept of several phenomena fused together, and what he calls ‘Adrio-Byzantinism’. In 1951 he associates his ‘Adrio-Byzantine’ term with the baptistery at Salona. He singles out for special mention its two-zone protome capitals, presumably imported from Contantinople (Gerber had already published two of the capitals in 1917). However, little attempt has been made to present the two-zone protome capitals in a broader perspective. It is the purpose of this paper to discuss the figured motifs and foliage in so far it is possible on the basis of other forms of architectural sculpture and the sacred space as a vision of Paradise.
AB - Ejnar Dyggve in his 1933 Eigentümlichkeiten und Ursprung der frühmittelaterlichen Architektur in Dalmatien gives a sketchy, yet comprehensive picture of his archaeological research in Salona. According to Dyggve, early medieval architecture in Dalmatia was characterized by oddities (Eigentümlichkeiten) and its origin (Ursprung). After about 300, Oriental and Syrian styles took a firm hold in early Dalmatian architecture. Simultaneously, a Late Antique “Byzantine” art was present, which gives rise to Dyggve’s concept of several phenomena fused together, and what he calls ‘Adrio-Byzantinism’. In 1951 he associates his ‘Adrio-Byzantine’ term with the baptistery at Salona. He singles out for special mention its two-zone protome capitals, presumably imported from Contantinople (Gerber had already published two of the capitals in 1917). However, little attempt has been made to present the two-zone protome capitals in a broader perspective. It is the purpose of this paper to discuss the figured motifs and foliage in so far it is possible on the basis of other forms of architectural sculpture and the sacred space as a vision of Paradise.
KW - Faculty of Humanities
KW - Ejnar Dyggve
KW - Sallona
KW - arkæologi
KW - transition
KW - senantik
KW - Jelling
KW - Byzans
M3 - Article in proceedings
SP - 48
EP - 51
BT - Ejnar Dyggve: Creating Crossroads
A2 - Kacunko, Slavko
A2 - Belamaric, Josko
PB - Institute of Art History Croatia (IPU)
CY - Zagreb
ER -
ID: 113323719