Karen Blixen's "The Poet" and Søren Kierkegaard's 'Gjentagelsen'
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Karen Blixen's "The Poet" and Søren Kierkegaard's 'Gjentagelsen'. / Bunch, Mads.
In: European Journal of Scandinavian Studies, Vol. 44, No. 2, 08.12.2014, p. 165-185.Research output: Contribution to journal › Journal article › Research › peer-review
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TY - JOUR
T1 - Karen Blixen's "The Poet" and Søren Kierkegaard's 'Gjentagelsen'
AU - Bunch, Mads
PY - 2014/12/8
Y1 - 2014/12/8
N2 - AbstractIt is commonly acknowledged within Karen Blixen scholarship that some of Blixen’s tales are literary responses to other works from world literature. In this paper I will argue that the tale “The Poet” from Seven Gothic Tales (1934) should be included in this line-up of responses as a literary response to Søren Kierkegaard’s Gjentagelsen (Repetition) from 1843. Through juxtapositions of quotes and analysis of plot development and character constellations, I will show how Blixen redevelops the plot and reverses the characters from Kierkegaard’s Gjentagelsen. I will pay particular attention to a reoccurring character in Kierkegaard’s production: the elderly bachelor esthete (Constantin Constantius), whom Blixen in “The Poet” exposes as a demonic, yet comical character. I will conclude by pointing out that repetition should be acknowledged as an integral part of Blixen’s poetics, since she consistently repeats archetypal plots and characters from world literature in her works that at the same time are completely new and original, following the dialectics of repetition.
AB - AbstractIt is commonly acknowledged within Karen Blixen scholarship that some of Blixen’s tales are literary responses to other works from world literature. In this paper I will argue that the tale “The Poet” from Seven Gothic Tales (1934) should be included in this line-up of responses as a literary response to Søren Kierkegaard’s Gjentagelsen (Repetition) from 1843. Through juxtapositions of quotes and analysis of plot development and character constellations, I will show how Blixen redevelops the plot and reverses the characters from Kierkegaard’s Gjentagelsen. I will pay particular attention to a reoccurring character in Kierkegaard’s production: the elderly bachelor esthete (Constantin Constantius), whom Blixen in “The Poet” exposes as a demonic, yet comical character. I will conclude by pointing out that repetition should be acknowledged as an integral part of Blixen’s poetics, since she consistently repeats archetypal plots and characters from world literature in her works that at the same time are completely new and original, following the dialectics of repetition.
KW - Faculty of Humanities
KW - Karen Blixen
KW - Isak Dinesen
KW - Søren Kierkegaard
KW - Gjentagelsen
KW - The Poet
KW - Digteren
KW - Dansk litteraturhistorie
KW - Harold Bloom
KW - Karen Blixen
KW - Isak Dinesen
KW - Comparative Literature
KW - Søren Kierkegaard
KW - Scandinavian Studies
KW - Scandinavian Literature
KW - Danish Literature
M3 - Journal article
VL - 44
SP - 165
EP - 185
JO - European Journal of Scandinavian Studies
JF - European Journal of Scandinavian Studies
SN - 2191-9399
IS - 2
ER -
ID: 60879612