Maîtrise esthétique de la passion féminine: Fonctionnement topique du pavillon dans La Princesse de Clèves.
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Maîtrise esthétique de la passion féminine : Fonctionnement topique du pavillon dans La Princesse de Clèves.. / Fastrup, Anne.
In: Revue Romane, Vol. 42, No. 2, 2007, p. 297-341.Research output: Contribution to journal › Journal article › Research › peer-review
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TY - JOUR
T1 - Maîtrise esthétique de la passion féminine
T2 - Fonctionnement topique du pavillon dans La Princesse de Clèves.
AU - Fastrup, Anne
PY - 2007
Y1 - 2007
N2 - La Princèsse de Clèves was published in 1678 it was celebrated as a literary achievement by some readers but criticized by others, in particular by some of the most reknowned and influential critiques of the time Jean-Baptiste Henri du Trousset Valincour and Roger de Bussy-Rabutin, as an attack on the ideals of plausibility and moral decency. It was notably the two scenes known as "The Confession" and "The Dream", both taking place in the pavilion at the Clèves estate La Coulommiers, that appeared indecent and implausible in the eyes of the two critiques. Taking the multiple symbolique connotations of the pavilion as a starting point, this article will argue that the accusations of implausibility and indecency should be understood as ideological reactions to the novel's negociations of desire, aesthetics and power
AB - La Princèsse de Clèves was published in 1678 it was celebrated as a literary achievement by some readers but criticized by others, in particular by some of the most reknowned and influential critiques of the time Jean-Baptiste Henri du Trousset Valincour and Roger de Bussy-Rabutin, as an attack on the ideals of plausibility and moral decency. It was notably the two scenes known as "The Confession" and "The Dream", both taking place in the pavilion at the Clèves estate La Coulommiers, that appeared indecent and implausible in the eyes of the two critiques. Taking the multiple symbolique connotations of the pavilion as a starting point, this article will argue that the accusations of implausibility and indecency should be understood as ideological reactions to the novel's negociations of desire, aesthetics and power
KW - Det Humanistiske Fakultet
KW - Lafayette, Madame de
KW - litterær topologi
KW - sansynlighed
KW - sømmelighed
KW - roman
KW - lidenskab
U2 - 10.1111/j.1600-0811.2007.420208.x
DO - 10.1111/j.1600-0811.2007.420208.x
M3 - Tidsskriftartikel
VL - 42
SP - 297
EP - 341
JO - Revue Romane
JF - Revue Romane
SN - 0035-3906
IS - 2
ER -
ID: 3941477