The anatomy of the crime scene: On narrative and performative practices in the investigation of crime's place and actions
Research output: Chapter in Book/Report/Conference proceeding › Article in proceedings › Research › peer-review
Documents
- Sandvik - the anatomy of the crime scene revideret udgave
Final published version, 106 KB, PDF document
An important element in this narrative and performative practise is the use of simulation as a storytelling device. Simulation is a well-known method in investigation of crime scenes in order to reconstruct how the actual crime may have taken place. The profiling expert of the investigation team places herself in the role of the criminal, trying to gain insight into the criminal's psychology, way of thinking and reasoning and so on (like detective Lacour does in the Danish TV series Unit One (Rejseholdet). Using simulation as a narrative and peformative practise implies that the investigators play the roles of potential murderers, helpers, victims, witnesses in order to reconstruct the chain of events (the crime) in time and space.
This paper analyses a selection of crime fiction TV series in order to demonstrate how crime scenes in these series are reconstructed and interpreted by the investigators through narrative and performative practises through which a specific virtual (in the sense of potential or possible) story space and a specific plot is being simulated. The selected series range from more colourful and para-psychological based methods of investigation in series such as The Profiler and Medium to more realistic practises such as those found in series like Unit One and CSI. This analysis will be broadened by applying knowledge about how real-life crime scene investigations are carried out by the real ‘unit one' of the Danish police (Rigspolitiets Kriminaltekniske Center) in order to reveal some major differences compared to crime fiction such as the fact that police detectives are not admitted entrance to the crime scene before the technicians have concluded their work collecting, preserving and cataloguing various traces like fingerprints, bloodstains and so on. But the analysis will also show similarities between real-life and fictional crime scene investigations: also in real-life practices reconstruction and interpretation of the crime scene is conducted by investigators (crime scene coordinators) who's task it is to decide how the investigation should be carried out and which is best described as a narrative practice; a systematic - and expertise based - work of imagination
Original language | English |
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Title of host publication | Proceeding from Motion and Emotion within Place |
Number of pages | 18 |
Publication date | 2010 |
Publication status | Published - 2010 |
Event | Motion and Emotion within Place - Århus, Denmark Duration: 7 Oct 2009 → 8 Oct 2009 |
Conference
Conference | Motion and Emotion within Place |
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Land | Denmark |
By | Århus |
Periode | 07/10/2009 → 08/10/2009 |
- Faculty of Humanities - augmented reality, augmented places, crime scene, narrative practice, performative practice, emotional geography, place and space, place and plot
Research areas
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