The Transdisciplinary Potential of Remediated Painting
Research output: Chapter in Book/Report/Conference proceeding › Article in proceedings › Research › peer-review
Standard
The Transdisciplinary Potential of Remediated Painting. / Petersen, Anne Ring.
New Imaging: Transdisciplinary strategies for art beyond the new media: Transdisciplinary Imaging Conference 2010, Sydney, Australia. ed. / Su Baker; Paul Thomas. Vol. 1 1. ed. 2010. p. 112-125.Research output: Chapter in Book/Report/Conference proceeding › Article in proceedings › Research › peer-review
Harvard
APA
Vancouver
Author
Bibtex
}
RIS
TY - GEN
T1 - The Transdisciplinary Potential of Remediated Painting
AU - Petersen, Anne Ring
PY - 2010
Y1 - 2010
N2 - Over the last decades the notion of what painting is has been considerably widened due to intermediality, i.e. crossovers between artistic media such as painting and sculpture, painting and photography, painting and installation, painting and performance etc. This paper suggests that the transformation of the discipline of painting into an expanded field has not only liberated painting from its ties to its traditional repertoire of materials and modes of representation. It has also released a tremendous potential for image making that takes painting as a point of departure but moves beyond the limitations of dialogic intermedia into the field of transdisciplinary aesthetics. In support of my argument, I turn to the concept of remediation as it was first applied in new media theory by Jay David Bolter and Richard Grusin. The ambition is to develop an apprehension of painting not as an artistic artifact or 'medium-specific' practice, but as a critical remediating process - painting as remediated painting.
AB - Over the last decades the notion of what painting is has been considerably widened due to intermediality, i.e. crossovers between artistic media such as painting and sculpture, painting and photography, painting and installation, painting and performance etc. This paper suggests that the transformation of the discipline of painting into an expanded field has not only liberated painting from its ties to its traditional repertoire of materials and modes of representation. It has also released a tremendous potential for image making that takes painting as a point of departure but moves beyond the limitations of dialogic intermedia into the field of transdisciplinary aesthetics. In support of my argument, I turn to the concept of remediation as it was first applied in new media theory by Jay David Bolter and Richard Grusin. The ambition is to develop an apprehension of painting not as an artistic artifact or 'medium-specific' practice, but as a critical remediating process - painting as remediated painting.
KW - Faculty of Humanities
KW - det remedierede maleri
KW - transdisciplinaritet
KW - remediated painting
KW - transdisciplinarity
M3 - Article in proceedings
VL - 1
SP - 112
EP - 125
BT - New Imaging: Transdisciplinary strategies for art beyond the new media
A2 - Baker, Su
A2 - Thomas, Paul
Y2 - 5 November 2010 through 6 November 2010
ER -
ID: 33265788