Ethics of the unseen: Extended Sensibility and Affection in Drone Film Post-production Editing
Research output: Contribution to conference › Conference abstract for conference › Research › peer-review
Drone usage in site explorations implies direct sensations for the pilot/planner. Footage from drone filming, following post-production editing, also implies direct kinesthetic and synesthetic effects that occur when working ‘on’ the filmic material, leading to affection. Through one drone post-production film, this presentation discusses how the interplay of vision, rhythm, and sound work as a set of gestures forming a sensation as a self-affection modus when engaging with the moving images on the screen. The article examines an extended sensing practice and defines a (new) point of view and extended sensibility emerging from person, tool and site entanglements,—amplifying a sensibility of the unseen affection arising through motion/gestures of editing.
Original language | English |
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Publication date | Oct 2020 |
Publication status | Published - Oct 2020 |
Event | Ambiances, Alloaesthesia: Senses, Inventions, Worlds : 4th International Congress on Ambiances - Santa Barbara, United States Duration: 2 Dec 2020 → 4 Dec 2020 Conference number: 4 https://ambiances.net/congresses/santa-barbara-2020-international-congress-ambiances-alloaesthesia.html |
Conference
Conference | Ambiances, Alloaesthesia: Senses, Inventions, Worlds |
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Number | 4 |
Country | United States |
City | Santa Barbara |
Period | 02/12/2020 → 04/12/2020 |
Internet address |
Bibliographical note
https://hal.archives-ouvertes.fr/hal-03136469/document
- Faculty of Science - Drone film post-production editing, extended sensibility, affection, ethics of the unseen
Research areas
ID: 248239433