Mise-en-scène, knowledge and participation: Considerations of a filming anthropologist
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Mise-en-scène, knowledge and participation : Considerations of a filming anthropologist. / Møhl, Perle.
In: Visual Anthropology, Vol. 24, No. 3, 2011, p. 227-245.Research output: Contribution to journal › Journal article › Research › peer-review
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TY - JOUR
T1 - Mise-en-scène, knowledge and participation
T2 - Considerations of a filming anthropologist
AU - Møhl, Perle
PY - 2011
Y1 - 2011
N2 - Drawing on two integrated research and film projects, the article investigates the implications for the anthropological project of approaching the field as a filming anthropologist. What does the camera “do” to the world and to the anthropological project? What shifts of form, what mises en scène take place when the camera sets in? What domains do we move into? And what can we learn from the process about the lives, imagined worlds and aspirations of other people and about the intersubjective production of anthropological knowledge?
AB - Drawing on two integrated research and film projects, the article investigates the implications for the anthropological project of approaching the field as a filming anthropologist. What does the camera “do” to the world and to the anthropological project? What shifts of form, what mises en scène take place when the camera sets in? What domains do we move into? And what can we learn from the process about the lives, imagined worlds and aspirations of other people and about the intersubjective production of anthropological knowledge?
KW - Faculty of Social Sciences
KW - Visual anthropology
KW - film in anthropology
KW - epistemology
KW - anthropological method
KW - self-presentation
KW - French Guiana
KW - Amazonia
KW - Rural France
KW - Positioning
KW - Engagement
U2 - 10.1080/08949468.2010.508707
DO - 10.1080/08949468.2010.508707
M3 - Journal article
VL - 24
SP - 227
EP - 245
JO - Visual Anthropology
JF - Visual Anthropology
SN - 0894-9468
IS - 3
ER -
ID: 51183359